The aggressive disruption of 'Peshmerga' film and attack on Bernard-Henri Levy

By Aline Le Bail-Kremer 

 

French philosopher Bernard-Henri Levy was in Serbia this week to showcase his acclaimed documentary film “Peshmerga” about the Kurds and their role in the fight against ISIS.


Just as Levi was about to address the audience gathered at the Belgrade Cultural Center on Wednesday, a woman from the audience ran past him and threw a pie in his face.

Levy continued to speak until a young man representing the New Young Communist League of Yugoslavia (Novi SKOJ) climbed onto the stage holding up a banner that read “Bernard Levy advocates imperialist murders.”

Levy responded by shouting in French, “Long live democracy!”

A brawl broke out at one point between a protester in the audience and Levy before security escorted the protesters out and the rest of the event had to be cancelled.

Levy is known for his criticism of 1990s Balkan wars and Serbian nationalist policies.

He penned a response the incident that was shared with Rudaw: 

 

In itself, the aggressive disruption of a film festival by a group of nationalistic Serbian communists deserves little attention, so thoroughly does it discredit the pathetic individuals who committed it.
 
It is indeed regrettable that the people of Belgrade were prevented from discussing the future of ISIS, its criminal endeavor, and the valiant struggle of the Kurdish Peshmerga.
 
But, unfortunately—as all my Serbian friends have told me—this act of violence reflects something that those friends and all the country’s believers in democracy endure on a daily basis: pressure, insults, bullying, propaganda, and media functioning in the service of the regime. As well as groups that, like the one that acted yesterday, are tolerated and even manipulated by the authorities.
 
My Serbian friends, you live under a regime that calls itself by a new name—a “democrature.” It is a dictatorship that makes use of universal suffrage and the appearance of democracy to bring civil society to heel and stifle Serbians’ aspirations to freedom.
 
You still enjoy real freedoms, of course. But often, it’s as if Milosevic, the dictator toppled in 2000, were still in power. Milosevic lite. Milosevic 2.0, without the war. An heir to the Milosevic who was hostile to culture and a stranger to freedom of the spirit and to historical truth. You live with a former Milosevic minister who is interfering with the duty to remember and with the work of mourning the horrors of the war in Bosnia, of the ethnic cleansing in Kosovo, and of the torture and repression of Serbian citizens. 
 
At the same time, your recently elected president, Mr. Vusic, calls himself a European and claims to want to lead Serbia into the European Union.
 
And on their side, Europeans, in my country and others, play along and take his statements at face value.
 
Why is that? Because the same perception of the Balkans has prevailed for a century: turbulent people always stirring up trouble, unsuited for democracy, people who supposedly need a strong leader to tame them—in the present case a mixture of Viktor Orban et Recip Erdogan who wants Europe but without Europe’s values and who the Europeans hope will serve as a barricade against the influx of migrants fleeing war.
 
In the face of all that, my Serbian friends, I am here to show my solidarity. 
 
Goran  Markovic (the Serbian director of the film), Philip David (a Serbian writer), cherished companions from Vreme and Danas, you are (exactly as when I first met you a quarter-century ago at the dawn of the wars in Yugoslavia, not far from where we are now in Belgrade) in a state of resistance.
 
You  were on the front lines, like the great Yugoslavian novelist Danilo Kis and so many others, against the suicide of your nation at the hands of nationalists. On the front lines you remain—and I admire you. You are the real Europeans. It is you who deserve Europe’s  aid. And it is you whom I have come, once again, to honor. 
 
~ Bernard-Henri Levy 


The views expressed in this article are those of the author and do not necessarily reflect the position of Rudaw.